INTERCOM
About Kevin Shmidt's Installation
In this solo exhibition at the Musée d’art de Joliette, Canadian artist Kevin Schmidt presents his recent sculptural and multimedia installations. By dislocating techniques and concepts associated with spectacle and entertainment, the artist negotiates the parameters of private and public spheres, including notions of property and speculation. Schmidt transposes these to the knowledge economy by making artworks that favour a DIY, open source, and salvaging approach.
The enormous wooden speakers in DIY Hifi (2014-2018) are based on Nelson Pass’ designs, which are posted online and freely available to use. The gallery is sonically transformed with the addition of new sound dispersion panels that Schmidt has built from waste material—discarded furniture, logs left behind from industrial logging—to create an audiophile listening room. Typically a private space reserved for the initiated, this version invites the public to come play their own records. For How to Make an Off-grid Hydroelectric Light Show (2018), Schmidt converted a washing machine into a hydroelectric generator that powers a sound and light show in a British Columbia forest. As a way of giving back and contributing to an open knowledge economy, the process of creating the generator was filmed and made available as a series of online tutorials. Shot in a clear-cut area, the video combines capitalist exploitation, cultural economy, and the climate crisis.
Capitalism’s insatiability undeniably suffocates our environments—built and natural, personal and collective, private and public. Kevin Schmidt’s exhibition draws thought-provoking connections between art making, private property, and real estate speculation.
About The Music
GEN#3 is a piece composed specifically for Kevin Shmidt’s INTERCOM sound installation at the Joliette Art Museum. As discussed with the museum and the artist, the composition aims to address the themes of gentrification, resource extraction, and global warming. The music is therefore almost entirely made out of field recordings taken at various contrasting locations: industrial areas of Montreal, and natural landscapes in Gaspésie, Québec, Canada.
The recordings were heavily treated and re-synthesized to create a sense of straightforward musical narrative: the piece starts with rather clear soundscapes and ends with an aggressive and distorted beat. The industrial sounds take over the natural ones until the natural ones become barely audible. Maybe music and sounds can help us realize what we focus on and what we sometimes forget about.
More about INTERCOM.
More about Kevin Shmidt.
Pictures provided by the Art Museum of Joliette and Kevin Shmidt.